DUEL


Cast: Dennis Weaver
Director: Steven Spielberg
Screenplay: Richard Matheson

Duel is a wholly visceral thrill-ride that shows the potential of the great Steven Spielberg's (Raiders of the Lost Ark, Schindler's List) eye for letting the visuals tell the story. Although it has been often recycled in b-films today, in such feeble entries as Joyride, Highwaymen, Road Rage, and a plethora of others, this is still the best of them all, and probably the only one that merits a viewing. Nail-biting suspense combined with story elements almost unheard of outside of a horror film, this is a riveting experience that has a scant story and almost no dialogue, but is a quintessential showcase on how editing, music, cinematography and inspiration account for 95% of what makes a thriller truly compelling.

Story:
The story is about as basic as it gets. Dennis Weaver ("McCloud") plays a businessman on his way for an important meeting that ends up stuck behind a slow moving truck while traveling the long stretches of freeway in rural California. He passes the truck, only to have the truck pass him again, and then slow down. The cycle continues for a while, until the businessman realizes the trucker is out for a deadly game of cat and mouse, never relenting on his pursuit, making him fight for his life at every turn.

Duel works on the most primal of levels, employing a great deal of mystery as to the trucker's identity or appearance, and keeping his motivations completely to the viewer's imagination. It starts slowly, building up the premise, with Spielberg taking his time in letting the ambience of the open road envelop us. Spielberg would use this same feeling of terror through isolation in his oceanic masterpiece, Jaws, which would further solidify his reputation as one of the best showmen in the business.

It's a worthwhile thriller, ingeniously conceived and masterfully executed in almost every way. Perhaps the only thing that would make me love Duel more is if Spielberg could have made it without voicing the thoughts of Weaver's character throughout, as it seems unnecessary (at least to me). Highly recommended for all Spielberg fans, or just thrillers in general. Duel has been often imitated, but far from duplicated in sheer tension. A truly riveting and timeless b-movie concoction that feels just as exciting today as the day it was released.
 
 

HAPPY DAYS

Punchline: a journey through college days


Cast: Sandesh, Nikhil, Vamsi Krishna, Raahul, Tamanna, Gayatri Rao, Sonia, Monali Chowdary and Kamalinee Mukherjee (in a guest role)



Story


Chandu (Sandesh), Rajesh (Nikhil), Shankar (Vamsi Krishna), Tyson (Raahul), Madhu (Tamanna), Appu (Gayatri Rao) and Sangeeta (Monali Chowdary) are a bunch of freshers in a college. They all together make a fine gang. Chandu - Madhu, Rajesh - Appu Shankar - Sangeeta soon build up their relation and become pairs. Tyson - a nerd with a heart of gold - ends up falling in love with a senior Sravanthi (Sonia). The rest of the story is how they spend their four years of their education in the campus and express love for their respective dear ones.


The following scenes standout:
1. The separation scene of Tyson and Sravanthi is very fascinating.
2. Rajesh’s reaction after he beats up his friend Shankar.
3. The way he ended the love thread between Tyson and Sravanthi. If Sravanthi accepted Tyson's love, then it would appear that the director is giving messages that it is ok to love your senior girls in the college.

The following dialogues are so meaningful and true:
1. Love and fear can never coexist.
2. A boy's character is judged by the kind of girls he roams with.
3. The college life may fail you to achieve great academic rewards, but it will definitely give you the ability to achieve any thing.
4. College Days are Happy Days. The days that follow college days are purposeful days.